海神畫廊Neptune Gallery

𝗠𝗲𝗲𝘁 𝘁𝗵𝗲 𝗔𝗿𝘁𝗶𝘀𝘁｜𝗟𝗶𝘃𝗲 𝗪𝗼𝗼𝗱 𝗖𝗮𝗿𝘃𝗶𝗻𝗴 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝗯𝘆 𝗛𝗶𝗱𝗲𝗸𝗶 𝗜𝗜𝗡𝗨𝗠𝗔｜與藝術家飯沼英樹相遇｜現場木雕演出

一件木雕作品的誕生，始於藝術家與木材之間的對話。

海神畫廊誠摯邀請您參與 𝗠𝗲𝗲𝘁 𝘁𝗵𝗲 𝗔𝗿𝘁𝗶𝘀𝘁，
近距離欣賞日本木雕藝術家飯沼英樹的現場木雕演出。

藝術家將帶來兩場各 30 分鐘的現場雕刻演出，帶領觀眾近距離感受木雕創作的過程。演出結束後，歡迎與藝術家面對面交流，了解他的創作歷程與作品背後的想法。

歡迎您於 8 月 8 日 (六) 蒞臨海神畫廊，一同感受木雕創作的魅力。

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The creation of a wood sculpture begins with a dialogue between the artist and the wood.

Neptune Gallery warmly invites you to 𝗠𝗲𝗲𝘁 𝘁𝗵𝗲 𝗔𝗿𝘁𝗶𝘀𝘁 with Japanese wood sculptor 𝗛𝗶𝗱𝗲𝗸𝗶 𝗜𝗜𝗡𝗨𝗠𝗔.

Enjoy two 30-minute live wood carving performances, witness the artist's creative process up close, and meet the artist to learn more about the ideas behind his work.

Join us at Neptune Gallery on Saturday, August 8.

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▌Schedule｜活動時間
𝟮𝟬𝟮𝟲.𝟬𝟴.𝟬𝟴 (𝗦𝗮𝘁.)

☆𝗟𝗶𝘃𝗲 𝗪𝗼𝗼𝗱 𝗖𝗮𝗿𝘃𝗶𝗻𝗴 現場木雕表演𝟯:𝟬𝟬–𝟯:𝟯𝟬 𝗣𝗠
◇𝗠𝗲𝗲𝘁 𝘁𝗵𝗲 𝗔𝗿𝘁𝗶𝘀𝘁 與藝術家交流　　 𝟯:𝟯𝟬–𝟱:𝟬𝟬 𝗣𝗠
☆𝗟𝗶𝘃𝗲 𝗪𝗼𝗼𝗱 𝗖𝗮𝗿𝘃𝗶𝗻𝗴 現場木雕表演𝟱:𝟬𝟬–𝟱:𝟯𝟬 𝗣𝗠

▌地點Venue
海神畫廊 Neptune Gallery

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Artist HIDEKI IINUMA 飯沼英樹
Photo by Hannes Pramstrahler

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🌊 2026 NEPTUNE WAVE PROJECT｜涅普頓造浪計劃公開徵件正式啟動！

海神畫廊 Neptune Gallery 首度推出 「2026 NEPTUNE WAVE PROJECT 涅普頓造浪計劃」，誠摯邀請具備創作潛力與獨特藝術觀點的當代創作者參與。

「造浪」象徵創作者以自身的創作能量，在當代藝術的海洋中掀起新的浪潮。我們期待發掘更多新銳藝術家與獨立創作者，透過專業展覽平台，促進藝術家與收藏家、策展人及藝術產業之間的交流與連結。

無論學歷、職業或創作年資，只要年滿18歲，具中華民國國籍或合法居留資格，皆歡迎報名。

我們期待看見具有原創性、完整創作理念，以及未來發展潛力的作品，共同探索當代藝術的更多可能。

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徵件資格 ▸ 年滿18歲之個人創作者，具中華民國國籍或合法居留資格
徵件作品 ▸ 創作媒材不限，限2024–2026年間完成之作品
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徵件期間｜即日起至 2026.08.31
結果公布｜ 2026.09.05（預計）
展覽期間｜ 2026.09.19－2026.10.28
展覽地點｜ 海神畫廊 Neptune Gallery （台南市安平區育平路369號）
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🔗 報名方式｜ 詳情請見官網、Instagram 精選動態，或私訊洽詢。

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#涅普頓造浪計劃
#藝術徵件

𝗔𝗥𝗧𝗜𝗦𝗧 𝗜𝗡𝗧𝗥𝗢𝗗𝗨𝗖𝗧𝗜𝗢𝗡｜Hisanori KOJIMA｜.kojima
Born in Hiroshima, Japan, Hisanori Kojima received his B.F.A., M.F.A., and Ph.D. in Sculpture Conservation from Tokyo University of the Arts. Alongside his artistic practice, he specializes in the conservation and research of Buddhist sculpture, where close observation of historical traces has profoundly shaped his understanding of time, memory, and human existence.

Through the restoration of ancient sculptures, Kojima encounters inscriptions, chisel marks, fragments of wood, and subtle signs left by unknown artisans. These overlooked details inspire him to reflect on the countless lives and events that have disappeared from history. His works often transform these quiet reflections into delicate wooden sculptures and butterfly motifs, expressing the beauty of impermanence and the invisible presence of time.

Working primarily in wood, Kojima invites viewers to contemplate the relationship between history, memory, and the present. His sculptures evoke moments that can never be fully known, offering poetic meditations on unseen lives and the enduring passage of time.

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藝術家介紹｜小島久典
生於日本廣島，畢業於東京藝術大學，並取得雕塑保存修復博士學位。小島久典長年從事佛教雕塑的修復與研究工作，在與古代造像近距離接觸的過程中，逐漸形成對時間、記憶與人類存在的深刻思考。

透過修復佛像時所發現的墨書、刀痕、木片殘留，以及工匠留下的細微痕跡，小島久典試圖想像那些未曾被歷史記錄的人物與事件。他將這些靜謐而短暫的感受轉化為木雕與蝴蝶等創作意象，表現時間流逝、生命無常，以及歷史中不可見卻真實存在的痕跡。

以木雕為主要創作媒材，小島久典藉由細膩而內斂的雕塑語彙，引導觀者重新思考歷史、記憶與當下之間的連結，在那些無法被完整知曉的時刻之中，感受時間流動所留下的詩意與餘韻。

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The Boundary Between Forest and Sculpture
森と彫刻の境界

▌展期｜Exhibition Period
June 20 (Sat.) – August 15 (Sat.), 2026
▌參展藝術家｜Participating Artists
Ai HAIBARA 灰原愛, Akiko TOJO 東條明子, Min Yao HU 胡閔堯, Kei KAIYA 海谷慶, Yosuke TAKASAKI 高崎洋祐, Hisanori KOJIMA 小島久典, Hideki IINUMA 飯沼英樹, Emi KATSUTA 勝田えみ
▌地點｜Venue
Neptune Gallery 海神畫廊
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𝗔𝗥𝗧𝗜𝗦𝗧 𝗜𝗡𝗧𝗥𝗢𝗗𝗨𝗖𝗧𝗜𝗢𝗡｜Kei KAIYA

Born in Chiba, Japan, Kei Kaiya received his B.F.A., M.F.A., and Ph.D. in Sculpture from Tokyo University of the Arts. Inspired by natural phenomena such as ice, fire, and clouds, his sculptures transform fleeting states into forms that exist between animals and nature, balancing movement with a quiet sense of permanence.

Rather than depicting specific creatures or moments, Kaiya seeks to preserve the invisible energy of nature through precise sculptural forms. In works inspired by the idea that the ordinary ground beneath our feet may once have carried ancient life, he reflects on the accumulation of time, the continuity of life, and the subtle relationship between memory and the natural world.

Positioned between figuration and abstraction, Kaiya's sculptures continually shift through their interaction with light, space, and the viewer. His works invite contemplation on the vitality embedded within form, offering poetic reflections on transformation, coexistence, and the enduring cycles of nature.

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藝術家介紹｜海谷慶

生於日本千葉，畢業於東京藝術大學雕塑科，並取得雕塑博士學位。海谷慶的創作以冰、火、雲等自然現象為靈感，將流動且難以固定的狀態凝縮為介於動物與自然之間的雕塑形體，在動感與靜止之間取得細膩的平衡。

他並非再現具體的生物或瞬間動作，而是透過精準而穩定的雕塑語彙，將自然中無形的能量凝聚於作品之中。藝術家亦從「我們腳下平凡的土地，或許曾是遠古生命載體」的想像出發，藉此思考時間的沉積、生命的循環，以及自然與記憶之間的深層連結。

遊走於具象與抽象之間，海谷慶的雕塑隨著光線、空間與觀者的互動持續產生變化，引導觀者感受自然生命力於形體中的流動與共鳴，並重新思索生命、時間與自然循環所交織出的詩意關係。

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The Boundary Between Forest and Sculpture
森と彫刻の境界

▌展期｜Exhibition Period
June 20 (Sat.) – August 15 (Sat.), 2026

▌參展藝術家｜Participating Artists
Ai HAIBARA 灰原愛, Akiko TOJO 東條明子, Min Yao HU 胡閔堯, Kei KAIYA 海谷慶, Yosuke TAKASAKI 高崎洋祐, Hisanori KOJIMA 小島久典, Hideki IINUMA 飯沼英樹, Emi KATSUTA 勝田えみ

▌地點｜Venue
Neptune Gallery 海神畫廊
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𝗔𝗥𝗧𝗜𝗦𝗧 𝗜𝗡𝗧𝗥𝗢𝗗𝗨𝗖𝗧𝗜𝗢𝗡｜Ai HAIBARA

Born in Okayama, Japan, Ai Haibara graduated from the Sculpture Department of Tokyo University of the Arts. Working primarily in wood carving, she creates gentle, rounded figures that embody beauty, tenderness, and a sense of wonder, inviting viewers into a world that feels both comforting and unfamiliar.

Haibara began creating at the age of fifteen, driven by a desire to build a gentle world of her own. Through years of exploring drawing and various forms of expression, she ultimately found wood carving as the medium best suited to shaping that imagined world. For the artist, each sculpture represents another inhabitant within this personal universe, carrying the warmth and affection she has invested in its creation.

Viewing every work as if it were her own child, Haibara pours her heart into each piece. Through her sculptures, she hopes to share her unique world with others, allowing her love and imagination to resonate beyond the boundaries of everyday life.

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藝術家介紹｜灰原愛

生於日本岡山，畢業於東京藝術大學雕刻科。灰原愛以木雕為主要創作媒材，塑造圓潤柔和、充滿溫暖與童話氣息的形象，追求美麗、可愛且前所未見的視覺體驗，引領觀者進入一個溫柔而富有想像力的世界。

十五歲時，灰原愛萌生了創作的念頭，希望建立一個屬於自己的溫柔世界。歷經繪畫與各種媒材的探索後，她最終選擇木雕作為實踐創作的方式。對她而言，每一件作品都是那個世界中新誕生的居民，承載著她投注其中的情感與生命力。

灰原愛將每件作品視如自己的孩子，傾注心血與愛意細心雕琢。她期望透過這些作品，與更多人分享自己獨特的世界，讓作品所蘊含的溫柔與情感，跨越現實，傳遞至每一位觀者心中。

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The Boundary Between Forest and Sculpture
森と彫刻の境界

▌展期｜Exhibition Period
June 20 (Sat.) – August 15 (Sat.), 2026

▌參展藝術家｜Participating Artists
Ai HAIBARA 灰原愛, Akiko TOJO 東條明子, Min Yao HU 胡閔堯, Kei KAIYA 海谷慶, Yosuke TAKASAKI 高崎洋祐, Hisanori KOJIMA 小島久典, Hideki IINUMA 飯沼英樹, Emi KATSUTA 勝田えみ

▌地點｜Venue
Neptune Gallery 海神畫廊
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𝗡𝗘𝗪 𝗔𝗥𝗧𝗜𝗦𝗧 𝗜𝗡𝗧𝗥𝗢𝗗𝗨𝗖𝗧𝗜𝗢𝗡｜Hideki IINUMA

Born in Nagano, Japan, and currently based in Tokyo, Hideki Iinuma studied fine arts in both Japan and France. Working primarily in wood, he creates figurative sculptures inspired by fashion, urban life, personal memories, and everyday scenes, exploring the subtle emotional tension revealed through posture, clothing, gesture, and color.

Using chainsaws and hand tools, Iinuma carves directly into wood while preserving the material’s cuts, cracks, rough textures, and natural imbalance. Rather than fully controlling the medium, he embraces the unexpected transformations that emerge throughout the carving and painting process, allowing each work to evolve through collaboration with the material itself.

Iinuma’s practice also investigates the idea of boundaries—where the body begins and ends, and how clothing may become an extension of the body. Through the continual processes of dividing, connecting, and reshaping forms, his sculptures invite viewers to reconsider the relationships between body, object, and space.

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新進藝術家介紹｜飯沼英樹

生於日本長野，現工作與生活於東京，曾於日本與法國研習美術。飯沼英樹以木材創作具象雕塑，從時尚、都市人物、個人記憶與日常場景汲取靈感，透過姿態、服裝、動作與色彩，描繪人物內在細膩又不安定的情感狀態。

他使用鏈鋸與手持工具直接雕刻木材，保留切痕、裂縫、粗糙肌理與材料自然形成的失衡感，並在雕刻與上色的過程中接納偶然發生的變化，使作品隨著材料自身的特質逐步生成。

飯沼英樹亦持續探討身體與服裝、物件與空間之間的邊界關係。透過形體不斷地分割、連結與重構，他的雕塑引導觀者重新思考身體、物件與空間之間微妙而流動的關係。

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The Boundary Between Forest and Sculpture
森と彫刻の境界

▌展期｜Exhibition Period
June 20 (Sat.) – August 15 (Sat.), 2026
▌參展藝術家｜Participating Artists
Ai HAIBARA 灰原愛, Akiko TOJO 東條明子, Min Yao HU 胡閔堯, Kei KAIYA 海谷慶, Yosuke TAKASAKI 高崎洋祐, Hisanori KOJIMA 小島久典, Hideki IINUMA 飯沼英樹, Emi KATSUTA 勝田えみ
▌地點｜Venue
Neptune Gallery 海神畫廊
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𝗡𝗘𝗪 𝗔𝗥𝗧𝗜𝗦𝗧 𝗜𝗡𝗧𝗥𝗢𝗗𝗨𝗖𝗧𝗜𝗢𝗡｜Yosuke TAKASAKI

Born in Osaka, Japan, and currently based in Kyoto, Yosuke Takasaki graduated from the Sculpture Department of Kanazawa College of Art. Rooted in traditional Japanese wood carving, his practice draws inspiration from Buddhist sculpture and Shinto deities while exploring the contemporary concept of eros through a dialogue between historical aesthetics and modern visual culture.

Rather than treating eros as mere sensuality, Takasaki regards it as a universal human longing for beauty that transcends cultures, borders, and gender. Through reinterpreting traditional motifs with elements of contemporary fe**sh aesthetics, his sculptures often depict sensual female figures adorned with high heels, latex masks, or bodysuits, revealing the enduring human pursuit of beauty across time.

Working primarily in wood, Takasaki also creates paired sculptures inspired by guardian figures, exploring the Japanese concept of “ma (間)”—the invisible space between forms. His works invite viewers to reflect on the coexistence of opposing values and the new meanings that emerge through their relationships.

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新進藝術家介紹｜高崎洋祐

生於日本大阪，現工作與生活於京都，畢業於金澤美術工藝大學雕刻科。高崎洋祐的創作立基於日本傳統木雕，從佛教雕塑與神道神祇汲取靈感，並以當代「情慾（eros）」為主題，在歷史美學與當代視覺文化之間建立對話。

他將情慾視為一種超越文化、國界與性別的人類普遍美感渴望，而非僅止於感官欲望。透過融入現代戀物美學的視角，高崎洋祐重新詮釋傳統母題，經常描繪穿戴高跟鞋、乳膠面罩或緊身衣等元素的女性形象，展現人類對美的追求如何跨越時代持續存在。

以木雕為主要創作媒材，高崎洋祐亦創作成對雕塑，並受到門神與守護像等傳統形象啟發，探討日本美學中的「間（ma）」概念——透過形體之間的空間，引導觀者思考對立價值的共存，以及其中所生成的嶄新詮釋。

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The Boundary Between Forest and Sculpture
森と彫刻の境界

▌展期｜Exhibition Period
June 20 (Sat.) – August 15 (Sat.), 2026

▌參展藝術家｜Participating Artists
Ai HAIBARA 灰原愛, Akiko TOJO 東條明子, Min Yao HU 胡閔堯, Kei KAIYA 海谷慶, Yosuke TAKASAKI 高崎洋祐, Hisanori KOJIMA 小島久典, Hideki IINUMA 飯沼英樹, Emi KATSUTA 勝田えみ

▌地點｜Venue
Neptune Gallery 海神畫廊
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𝗖𝘂𝗿𝗿𝗲𝗻𝘁 當期展覽 | 森と彫刻の境界 | The Boundary Between Forest and Sculpture
Wood remembers time. Through rings, grain, fissures, and weight, it carries the traces of its natural becoming. Bringing together eight contemporary wood sculptors, this exhibition explores the space where forest and sculpture intersect. As wood is carved and transformed, its original vitality remains embedded within the material. The exhibition asks: after sculpture comes into being, does the forest still remain within the work?
We warmly invite you to experience these works and discover the lingering presence of the forest within contemporary sculpture.

木材記憶著時間。
年輪、纖維與裂痕，保留著自然生長的痕跡。本展集結八位當代木雕藝術家，透過不同的創作語彙，探索森林與雕刻交會的場域。當木材被雕鑿、轉化，其來自自然的生命性依然留存其中。當雕刻完成後，森林是否仍存在於作品之中？
誠摯邀請您走進展場，在作品之間感受時間、記憶與生命的痕跡，重新發現森林在當代雕刻中的存在

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▌展期｜Exhibition Period
June 20 (Sat.) – August 15 (Sat.), 2026
▌參展藝術家｜Participating Artists
Yosuke TAKASAKI 高崎洋祐
Hisanori KOJIMA 小島久典
Hideki IINUMA 飯沼英樹
Emi KATSUTA 勝田えみ
Akiko TOJO 東條明子
Min Yao HU 胡閔堯
Ai HAIBARA 灰原愛
Kei KAIYA 海谷慶
▌地點｜Venue
Neptune Gallery
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𝗛𝗔𝗣𝗣𝗬 𝗗𝗥𝗔𝗚𝗢𝗡 𝗕𝗢𝗔𝗧 𝗙𝗘𝗦𝗧𝗜𝗩𝗔𝗟｜𝗪𝗼𝗼𝗱 𝗦𝗰𝘂𝗹𝗽𝘁𝘂𝗿𝗲 𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 𝗖𝗼𝗺𝗶𝗻𝗴 𝗦𝗼𝗼𝗻｜端午安康｜木雕聯展即將登場

Neptune Gallery wishes you a happy, peaceful, and healthy Dragon Boat Festival. We are pleased to announce that our upcoming Wood Sculpture Group Exhibition will be opening soon. We warmly invite you to visit and experience the beauty of wood sculpture art.

端午佳節到來，海神畫廊祝福大家平安健康、佳節愉快！
精彩木雕聯展即將展出，歡迎大家前來參觀欣賞。

▌即將展出｜Coming Soon
The Boundary Between Forest and Sculpture | 森と彫刻の境界

▌展期｜Exhibition Period
June 20 (Sat.) – August 15 (Sat.), 2026

▌參展藝術家｜Participating Artists
Ai HAIBARA 灰原愛, Akiko TOJO 東條明子, Min Yao HU 胡閔堯, Kei KAIYA 海谷慶, Yosuke TAKASAKI 高崎洋祐, Hisanori KOJIMA 小島久典, Hideki IINUMA 飯沼英樹, Emi KATSUTA 勝田えみ

▌地點｜Venue
Neptune Gallery 海神畫廊